“Everywhere in the world they hurt little girls.” - Cersei
“First of His Name” begins on the crowning ceremony of Tommen
Baratheon, the titular first of his name getting officially made king. But the episode
quickly shifts focus; the opening scene isn’t about a new male taking power,
but rather it’s about the woman behind the man, the true source of power here,
Margaery.
It’s a moment that emphasizes what “First of His Name” will really
be about: the place of women in society. And the episode keeps reiterating
through different variations what life is like for women in Westeros (and Essos
as well) and the continual answer is that it’s pretty terrible.
The theme of the episode is admittedly a little more nuanced then that
though. Director Michelle
MacLaren keeps pushing the camera out, showing
characters as specks on the horizon. It places them as small and helpless, and
a little daunted. But MacLaren does something else; she keeps framing people
in doorways and arches, suggesting they’re trapped and boxed in. It’s an image
that’s highly fitting for the women of this world. No matter how great they are
as part of the system, at playing it to their advantage, they’re still limited
by their gender.
The central throughline of the episode is the two characters
and stories we keep coming back to, Cersei and Sansa's. These characters are very
different individuals and they’re in rather different circumstances, but both
find themselves hitting a wall.
After claiming power for so long, Cersei is forced to
concede power and authority to other people in hopes that she can gain leverage
later. We see Cersei go to Margaery and for once act if not kindly, at least
diplomatically. Cersei realizes that with the precarious position the
Lannisters are in that she needs to sacrifice what she wants a little bit to create
some stability. So she offers Margaery the marriage to Tommen and the position
of queen. Cersei also gives into the demands of her father to marry Loras,
after long refusing to. Both acts secure the power of her family but at the
cost of her own power.
Sansa has even less options than Cersei. Sansa arrives at
the Eyrie with Littlefinger pretending to be his niece. In short order her aunt
Lysa has married Littlefinger, who is so clearly manipulating her for his own
gain and none of the happiness she assumes. Lysa has lost a few marbles. Not
only does she admit to poisoning her former husband John Arynn at Littlefinger’s
request, but she also jealously accuses Sansa of sleeping with Littlefinger.
Lysa has been worked over by a man taking advantage of his male privilege.
Outside of these storylines the episode stops in briefly on
a number of other female characters. What we end up seeing is a spectrum of
women, powerful and powerless.
Dany takes power in Mereen but discovers there’s
consequences to upsetting the power structure in Slaver’s Bay. Against the advice
of her male counselors to head to Westeros and take the throne, she, instead,
decides to stay in Mereen and prove she’s capable as a ruler.
Brienne takes having Poderick as her squire as an insult, a
gesture suggesting she’s incapable of handling being a knight. Poderick slowly
grows on her as he tells her of the time he saved Tyrion’s life at the Battle of
Blackwater. Brienne is hesitant to accept Poderick because she has experienced too many men judging her for her choice to be a warrior and this will hang over Brienne always; she’s a woman doing something
people believe is suitable only for a man.
Ditto Arya, who the Hound catches practicing her "water
dancing", something not very lady-like masquerading as something that is. When the Hound knocks down Arya it stands in for him beating down all
the aspirations of females in this world.
And that’s why so much of what happens in that last sequence
of the episode greatly matters.
First we get a dark, painful scene where the mutineers threaten
to rape Meera. It’s the situation of women of this world in a nutshell. All
women are seen as good for is satisfying the desires and whims of men. They’ve
deprived Meera of agency and a right to herself and her body. Jojen, Hodor and
Bran look on aghast not just because terrible things are about to happen to
their friend but because they also are unable to assert their masculine
dominance. Being tied captive has deprived them of what they believe is their
male duty, that chivalric calling, to defend the lady, when in fact we know if
Meera weren’t tied up she would be plenty capable of defending herself.
That’s why we ultimately get a female beating the Big Bad
and not Jon Snow. It’s a moment of female agency being asserted in an episode
structured so that we get countless moments of females being denied agency until
this instance. After being abused and mistreated for so long by Craster and
other men, Craster’s wives (note the language I even have to use to describe
them) stand up for themselves. Given the opportunity to go with Jon and the
other Watch members they decline. “Burn it down,” one of them says in regards
to Craster’s Keep (What’s the expression: a man’s home is his castle). They’ve
burnt down the symbol of patriarchy they’ve been trapped in for so long. And
damn it feels righteous.
Stray Thoughts:
-A moment of dark comic beauty: Sansa lying in her bed hearing her aunt scream loudly while having sex.
-Another very funny moment: the Hound complaining about Arya reciting her death list before bedtime. Followed by her adding him as the last name to the list.
-Sansa doesn't ever catch a break; she's being forced to wed her dweeby younger nephew Robin.
-Tywin again provides us with more murmurs of the power of the Iron Bank which the kingdom is apparently in serious debt to. Take note of this for later I suppose. Also, the Lannister's stopped mining gold about three years ago. All their talks of always paying their debts is apparently for show.
-In a weird moment of sort-of-kindess, Tywin admits he sympathizes with Cersei's lack of feelings for Loras ... but he still will see her marry him.
-We also get that kind of clarity from Cersei who confesses that Joffrey was a monster to Margaery.
-There's a bumbly, adorable charm to Poderick. He may not be Jaimie but give him a chance Brienne!
Grade: A
-A moment of dark comic beauty: Sansa lying in her bed hearing her aunt scream loudly while having sex.
-Another very funny moment: the Hound complaining about Arya reciting her death list before bedtime. Followed by her adding him as the last name to the list.
-Sansa doesn't ever catch a break; she's being forced to wed her dweeby younger nephew Robin.
-Tywin again provides us with more murmurs of the power of the Iron Bank which the kingdom is apparently in serious debt to. Take note of this for later I suppose. Also, the Lannister's stopped mining gold about three years ago. All their talks of always paying their debts is apparently for show.
-In a weird moment of sort-of-kindess, Tywin admits he sympathizes with Cersei's lack of feelings for Loras ... but he still will see her marry him.
-We also get that kind of clarity from Cersei who confesses that Joffrey was a monster to Margaery.
-There's a bumbly, adorable charm to Poderick. He may not be Jaimie but give him a chance Brienne!
Grade: A
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