But something’s not right for the citizens of the town. All
the adults keep yearning for a time long since gone by, and the youths don’t
know just how good it is to be young. Under the surface of The Last Picture Show is a poignant, bittersweet ode to growing
old, loss, and isolation. The dusty, one horse town has an inimitable sadness
hanging over it at every turn captured in wide angle shots where people seem so
small upon the landscape. Before they know it, the kids have graduated and they’ve
turned into the adults they always told themselves they’d never end up like.
Before the year has passed friendships are tested, sexualities explored, and
the local theater will hold its last picture show.
It sounds like a simple tale, but writer-director Peter
Bogdanovich tackles the subject matter with a level of sincerity and frankness
that give the film a world weary realness. Bodanonvich has a particularly keen
eye for depicting social and sexual mores with a surprising level of honesty. The
amount of nudity and sexual authenticity is rare for its time.
The beautiful cinematography by Robert L. Surtees with an incredible
use of black and white photography is matched only by the slew of great
performances from countless actors. In particular, Timothy Bottoms, Jeff
Bridges, and Cybil Shepherd (in her debut role) in some of their earliest work
are fantastic as the young adults of the film. But there’s so many countless
memorable supporting roles by Cloris Leachman, Ben Johnson, Ellen Burstyn, and Eileen
Brennan.
Gorgeously shot and filled with wonderful performances, The Last Picture Show is one of the best coming of age stories.
Grade: A
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