This may not sound revelatory but it’s a huge distinction
that sets apart shows that are bad and mediocre from those that are good. For example, It’s Always Sunny in Philadelphia,
especially in its earlier seasons, is a funny series. However, it also is a
series that has its characters do inexplicably terrible things in the name of
being funny. Sometimes it goes too far and the characters feel like unrepentant
cartoon characters out of something like Drawn
Together. These characters are amusing but they frequently have to no basis
to any actual human being or reality whatsoever. Take a totally different
example, Modern Family. Modern Family,
starting in its second season, and increasingly so afterwards, lost the whole
premise of tension and emotion underlying it. The characters on Modern Family early in the series had to
fight and finagle their way to understanding and appreciation of one another.
The characters didn’t always immediately forgive and forget; they didn’t always
just return to status quo of “We’re family = We love eachother unquestioningly”.
Community was able
to get away with its many homages, spoofs, and parodies because it would
ultimately use these crazy antics in the service of telling something
meaningful about the characters (as well as breaking down just why it is we
love the particular pop culture genres we do). In the season four premiere with
The Hunger Games parody, there was no
real reason to do it other than to try to provoke laughs out of us; to essentially shock us into some guffaws. It wasn’t a cleverly designed means of exploring
these characters and their relationships and therefore it felt very, very
empty. The Inspector Space Time Convention was an even more extreme case of
this phenomenon.
"Cooperative Escapism in Familial Relations", on
the other hand, feels like early Community
in how it utilizes homage and ties it back to the characters.
The jokes aren’t just for the sake of jokes. They’re funny, yes, but more
importantly the jokes are used with the intention of saying something about the
characters. The prison break/Shawshank Redemption spoof is amusing; however,
the ability to ground that in how it pertains to Troy, Abed, Annie, and Pierce’s
relationship to Shirley elevates it. Similarly, Jeff meeting his dad for the
first time is an interesting examination of Jeff’s character, and it brings up
an aspect that’s been hinted out constantly throughout the series run. In turn,
the way this plot manages to touch upon Britta and Jeff’s relationship is
another great use of joke telling and storytelling in order to look at that
pairing and why it matters.
This is a step up from the previous episodes of the fourth
season, and I really hope they keep it up.
Grade: B+

No comments:
Post a Comment