Tuesday, April 16, 2013

How I Met Your Mother - "Romeward Bound" - Review

Ted asks Barney something towards the end of “Romeward Bound” that I’ve been asking for weeks now. Why is he still acting like the womanizer he’s been for ages when he’s soon to be married? Yea, Robin might be cool with it, but it’s still bothersome.

The show has had Barney continue to ogle at women even as his bachelor days are supposed to be essentially over. It’s frustrating to see him continue this way. At first just because it didn’t add up with where his character was at anymore, but now it looks as if the writers want to use this detail to form a conflict between Ted and Barney... which is ... strange (to say the least).

Ted’s lingering affection for Robin isn’t the most interesting longstanding plot element; it’s been played out until that beaten up horse resembled little of its original self or charm. It keeps being utilized to diminishing returns. It remains to be seen just how exactly Robin fits into the whole picture of Ted meeting the mother, and after eight seasons playing the same note over and over of Ted’s weirdly obsessive feelings towards his ex just isn’t all that enjoyable to watch. 

The rest of the content for the Ted-Barney story is very filler-y. Ted’s fawning for a woman he describes as “redonkulous” who turns out (in a meh twist that’s crafted to bring Robin into the picture) to be Barney and Robin’s wedding planner. It’s all rather lightweight and there’s a lot of questionable objectifying going on that the show keeps just on the side of not offensive (though we still could have done without it; there are far, far better ways to do stories without having to objectify women). (Although I have to admit that Robin’s enthusiasm for discovering what’s underneath the coat is played wonderfully by Colbie Smulders)  

Marshall and Lily’s story is more original but it features a lot of rehashed jokes (Marshall using lawyer speak to misdirect, cuts to imagined futures) and twists that pile up to the point where their devoid of value. However, I’m intrigued by the decision to uproot two of the five main characters to Italy. It’s not a decision that exactly works within the medium of television but it’s a bold one (perhaps the boldest the show has done in about three seasons depending on where they go with it). 

This was an ultra-lite episode; it was mildly amusing but not all that funny, which is a nice way to describe this season as a whole. It’s usually doing things that are oh that’s pleasant I suppose but you usually forget most of what happened soon after you’ve finished the episode.  

Grade: C+

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