That’s not to say it’s great.
However, for a series that I and
many others had largely written off early in its run, New Girl has made major advances throughout the course of its first
season. The first couple of episodes are largely pretty bad. The characters were
neither likable nor interesting (the loss of Daman Wayans Jr. after the pilots
only dug the series a bigger hole to get out of) and the series was formless and
directionless.
The show’s initial flirtation with the idea of the series as
a vehicle for star Zoe Deschanel fizzled out and transformed into something
much more interesting. The series probably could have survived with this early mission
statement in mind, but it wouldn’t have been nearly as formidable or
entertaining as it has become. Sure, there’s still much that needs to retooled
in order for the series to rise a tier in quality, but New Girl has become a show that’s worth stopping in on for 30
minutes.
Max Greenfield’s great work as Schmidt and the writers’
ability to nail that character have led to Schmidt being a break out character
who is tremendously funny and adorably nerdy. Sad sack grouch Nick as portrayed
by Jake Johnson could be a little too self-loathing for his own good, but when
allowed to do gleeful improvisational work or play off the other actors he
proved himself capable. Lamorne Morris has continually been rather good as
Winston, but he’s been poorly utilized by the writers and lacked storylines.
His late additional entry to replace Wayans in part led to the series to suffer
in trying to discover its voice.
When the series stopped emphasizing the childlike whimsy of Jess
and focused on the strengths of its ensemble, including Hannah Simone (CeCe and
Schmidt’s growing relationship has been a season highlight and the two have great
chemistry), the series became a much funnier show that proved it was worth
recognizing. It became a show about 30somethings confronting their own
inadequacies, coping with growing up and accepting responsibility, and creating
an ad hoc family.
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