Like Shigeru Umebayashi’s reoccurring, motivic “Yumeji's Theme”, the film is ferverous, passionate, and ready to boil over at any moment, but also filled with undertones of sadness, melancholy, longing, and lost.
The film is at once grounded and realistic, and yet stylistically and aesthetically interesting and ambitious. Auteur Wong Kar-wai fills the film with vivid imagery and interesting shots. The colorful, buoyant appearances formed from its 1960’s period piece dressing are undercut by long, slow moving sequences of isolation and sadness and shots framed to suggest how alone and trapped characters are (characters framed in doorways is a frequent motif of the film).
Damaged, quiet and resilient, the characters keep fighting
through their suffering and longing, hurting themselves and eachother more and
more. Leung and Cheung have such obvious chemistry and give wonderfully
understated performances.
The film lets shots speak for themselves. Small gestures
such as the caress of a hand, or longing looks, and sober, sorrowful
expressions speak far more volumes than any amount of dialogue.
Visually immersive and stylish, and quite unlike any typical
romantic narrative, In the Mood for Love
is a masterfully unique film.
Grade: A

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