We see almost the entirety of the film through Hushpuppy’s
young, optimistic, imaginative eyes. Too young to always comprehend all the
things going on around her; she doesn’t get many of the implications of the
tragedies and triumphs surrounding her. But she’s got a big heart, and tries to
see the best in people. Abandoned by her mother, she’s raised by her sickly,
quick-tempered father Wink (Dwight Henry), who, though he often doesn’t show it
as well as he ought to, loves her a great deal. They live in the “Bathtub” an
isolated, impoverished Louisiana bayou community, constantly struggling to get
by, but with a strong sense of community. Their lives and those of the
community are imperiled when a deadly storm threatens to destroy the town.
The film deals with the community’s struggles with poverty
and their attempts to protect their homes from the storm with integrity,
realism, and compassion. Gorgeously shot, and imaginatively depicted, it
provides a dignified, realistic, memorable look at an under-looked part of the
country and the everyday concerns of the people who live there. Wallis handles
the very serious material with surprising ease, and you never once question her
performance; she carries the film with a brightness and enthusiasm that help
raise the film above its world weary, dreary undertones. This is a great debut
film from writer and director Benh Zeitlin; hopefully we see more from him in
the future.
Grade: B+
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