Breaking Bad: "Ozymandias"

 Spoilers Below:

Last night’s Breaking Bad episode “Ozymandias” made me uncomfortable and I mean that in the best way possible. When movies and television shows are operating at their peak capacity they can grab our emotions and wrench every last possible ounce of feeling possible from us in a way few mediums are capable of. And Breaking Bad has always been very deliberate and calculated about earning every single last emotion. It’s never being manipulative but it almost always comes as a gut punch. And while this last stretch of episodes has been supremely intense, I’m not sure any came anywhere near as close to being quite as devastating as “Ozymandias”.  

Where to begin is really the question. If the episode hit you like it hit me, you ought to be flabbergasted. Plot turn after plot turn was piling on to form moments that were utterly sickening even as they were thrilling. It was like the twists of “To’hajiilee” but built more from emotional and character shifts rather than cat and mouse games. 

Only Breaking Bad would be so bold to end one episode in the middle of a gun fight and pick up the following episode not during that gun fight but in a flashback. But the flashback makes all that comes after it all the more despairing. Walt and Jesse in one of their earliest cooks out in the desert, pissing each other off; Walt calls Skylar to make up some lame excuse about he’ll be home late. It’s powerful stuff and then director Rian Johnson does something that really sells the moment home. Everything fades out like old ghost who have long since stopped haunting a favorite hallowed ground.

Johnson fades back in after the theme to return us in frozen motion to the gunfight where we discover that Gomez is dead but Hank is alive although wounded. The business with Hank, Walt and the Nazis feels almost a perfunctory bit of throat clearing. I don’t think many people suspected Hank would make it out of this alive but it gives us one last moment where Walt attempts to wheedle his way out of some inextricable situation and for once it doesn’t work. In fact, it backfires miserably. Not only does Hank die (in a moment that’s given no gravitas and quickly moved passed) but Walt has disclosed the location of his money which is promptly taken away from him. Uncle Jack leaves Walt one barrel as a twisted sort of finder’s fee and to look good in the eyes of his golden boy Todd. 

I say it’s throat clearing because it’s only the first of many moments that stick with your gut and make you want to look away even as you’re unable to. Another moment that follows shortly thereafter which feels perfunctory is Walt telling Jesse he watched Jane die. The show seems to be checking off plot points it needs to get through before things really start going wrong. Oh, don’t get me wrong. Aaron Paul’s contorted expression and his anguished wriggling as he’s carried away are pitch perfect, but the show treats it as something it just needs to get over with before it gets to the truly emotional, knock out material. 

The first truly terrible moment, I think at least, is Marie coming to tell Skylar that Walt has been arrested. Skylar’s dawning sense of what she’s done and Marie’s haughty pride are undercut by our own knowledge that Walt is free and Hank is – as Marie put it – dead to rights. Skylar’s face crumples as she comes to terms with everything she’s done even though she’s hated herself for it. 

It’s a moment that is topped soon after by Skylar and Marie revealing the truth to Walter Jr. about his father. R.J. Mitte has never really gotten much screen time to show off his acting skills but he’s powerful here in his disbelief and even more so later when he defends Skylar from Walt. This is the one character who has been totally innocent and without culpability. It was a character I really never wanted to discover the truth and it’s painful to witness his realization. 

Arguably the worst moment in this episode – in terms of: Holy shit, is this really happening? -- occurs when Walt returns to his home and tries to convince Skylar and Walter Jr. to pack their things and leave with him. If his wheedling with Uncle Jack went terribly, it possibly goes even worse here.  Not only does Walter Jr. know the truth about Walt now, but Skylar, from her conversations with Marie and Walter Jr., has come to accept the depths of immorality she’s sunk to. And Walt’s attempts to talk his way out of an impossible situation and win them over goes south little by little until Skylar has pulled a knife on him to defend herself and Jr. 

The fight that ensues has no thrill to it. It’s brutal, slow, and all too real. It’s not the badass desert shootout; it’s a quiet, searing domestic abuse struggle. Look at the way Walt grabs her wrists. He’s no longer interested in her well-being. She’s in so much pain and yet he keeps twisting and viciously fighting for control of the knife. It feels like at any moment someone could get stabbed or potentially die: Skylar? Jr.? Worse still: Holly? 

And as if it weren’t bad enough already, Jr. steps in to stop the struggle. He gains control of the knife and stands between Walt and Skylar. Walt is stunned and hurt in a way possibly he has not been previously. His family has turned on him, and so he does something desperate and awful. He takes Holly with him. My stomach dropped when that happened, and then it sank further in a way that I didn’t know was possible as Skylar futilely attempted to get Holly back. 

It’s the last act of a desperate man. It’s nothing in line with the “I’m one who knocks” vision Walt has been so pathetically trying to sell to everyone. It is a desperation that is just as apparent in his wiretapped phone conversation with Skylar – which he surely must know is wiretapped -- where he says every mean thing he can think of to her. It’s despicable and loathsome, plain and simple as that. Imagine the man from the cold open saying such things. That man could barely pass off a lie about working late at the carwash.

But now before us stands “Ozymandias”. The titular “Ozymandias” takes its name from an Egyptian ruler, famously described in a poem by Percy Bysshe Shelley (recited by Bryan Cranston in one of the promotional trailers). Ozymandias built up an empire only to watch it crumble before him. The title seems more appropriate than ever. It’s hard to look at that shot of Walt standing alone in the vastness of the desert after the gunfight and not imagine a man coming to grasp that everything he’s achieved has gotten away from him and been destroyed. To quote Shelley: 

"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!" 

Come look upon Heisenberg’s works. And despair. 

Stray Thoughts:

-I didn’t even get to talking to Jesse in detail. I think we knew Jesse would make it out of this alive and it’s telling that Walt has so given up on Jesse even in the face of Hank dying that he lets the Nazis have him to do with him what they want. But death would have been a better fate for Jesse who has now been made Todd’s prisoner and forcible meth cook. The device Todd created to keep Jesse locked up in the meth lab is horrifying; it’s like a dog’s leash meets a torture device. And the leverage over Jesse is the knowledge the Nazis now have about Andrea and Brock. Ugh.
-The sound design for re-entering the gunfight is interesting. Heavy gunfire over a black screen followed by absolute silence. The calm before the storm. An unmistakable feeling of dread before the inevitable. The acknowledgement of how much has changed since that day in the cold open.  

-“Sorry for your loss” – Todd, always the polite gentleman.

-Walt must assume Jesse will be dead soon, so to tell him about Jane is all the more horrible. He’s just being cruel. It doesn’t serve to gain anything. I wonder how those two’s paths will cross again; because who are we kidding: they will.

-“You killed Hank”

-“What’s wrong with you. We’re family” – Walt lying to himself to the bitter end. 

-“He crossed me” – False baddassery, as always.  
-And Marie's reaction to Hank being dead was crushing. 

-The way Skylar just takes the abuse from Walt during the phone call is just awful.  

-“You’re the smartest person I know … and you’re too stupid to realize they made up their mind ten minutes ago” – Dean Norris makes those few moments he has left on the show really count.

-It seems oddly appropriate that Walt is done in by his family. This was supposed to be for them; at least that was the excuse in the beginning. Now, they want nothing of it.

-“I have some unfinished business” 

Grade: A