“The Name of the Doctor” has a lot to like. But it feels
like an episode that’s trying to tell a story that ought to have parsed out
over a couple of episodes. For example, did we really even need the appearance
of River (whose appearance itself is a mystery related to her being trapped in
a database after “Forest of the Dead”)?
I like the explanation for Clara’s multiple lives. And somehow it’s both totally crazy and somehow kind of sound in that way that really only Moffat is capable of pulling off. But when the show tries to achieve these complex narratives with the pizazz and coolness so typical of Moffat occasionally the storytelling gets a little too convoluted.
I like the explanation for Clara’s multiple lives. And somehow it’s both totally crazy and somehow kind of sound in that way that really only Moffat is capable of pulling off. But when the show tries to achieve these complex narratives with the pizazz and coolness so typical of Moffat occasionally the storytelling gets a little too convoluted.
Another problem is that we haven’t spent enough time with
Clara. While I really enjoy Jenna-Louise Coleman’s performance, we haven’t been
given enough time to really understand this character and her relationship to
the Doctor (her going into the time vortex without doubts doesn’t entirely add
up with what we know about the character even as it attempts to be a powerful
moment, which it is, but it also feels a tad forced).
The series has tried to cram a season long story into half a
season, and that came partially out of the need to service the story of Amy and
Rory. But I just don’t know if creating this over the top mystery for the show
to solve was the best path to enter as the show entered ostensibly a new chapter.
This becomes somewhat apparent in how the show never fully explains the problem
at hand, leaving the episode on an ellipsis with the reveal of another version
of the Doctor played by William Hurt. Another mystery.
I say all this because the mysteries have somewhat usurped
the narrative. And Doctor Who has never been about mysteries. There’s been
wibbly-wobbly-timey-wimey content here and there, but at its core it’s been
about a mad men with a box getting caught up in to situations where he tries to
help out and potentially save the day. Even his love for humanity was something
that grew, begrudgingly, over time.
Now let’s fanboy here for a moment because the above
probably comes off as totally despairing and cynical. The scenes of Clara
placed into stock footage are a real treat, even as they stretch the limits of
the budget to a point where they don’t totally work. The idea of the Doctor
facing up to his future death by heading to his tomb is emotionally rife and honestly
the episode doesn’t get enough time spent with the Doctor confronting this.
There’s plenty of the expected fun in “The Name of the
Doctor”, but it tries much too hard to get across what it wants to convey.
Grade: B

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